NICHOLAS ROERICH

(1874 - 1947)

Professor Roerich with sacred casket from the painting by Svetoslav Roerich

by kind permission of the Roerich Museum, New York.

To go straight to BANNERS OF THE EAST Series of paintings

click HERE

 

            Nicholas Roerich (Nikolai Rerikh in Russian) is generally known for his paintings (of which there are around 7,000) but he was also a philosopher, archaeologist, educationalist, writer and cultural leader. He was involved in the building of the first Buddhist Temple in Russia in St Petersburg. He had also studied far eastern wisdom (primarily via the teachings of Swami Vivekananda) and the ancient wisdom teachings via the Theosophical teachings (alongside other adherents of Theosophy such as Mondrian, Kandinsky and, in fact, hundreds of painters at the start of the twentieth century) brought to the world primarily through his Russian compatriot Madame Helena Petrovna Blavatsky. In fact, Roerich, alongside his wife Helena Roerich, was the first person to translate Blavatsky's THE SECRET DOCTRINE into Russian. This is a major work said to be guided by certain Masters of the White Lodge or otherwise known as the Trans-Himalayan occult brotherhood. The Theosophical Society is nonsectarian, nonpolitical and nondogmatic. Its three declared objects are:

For more on the Theosophical Society visit their site by clicking HERE 

 

            The Agni Yoga teachings were from the same spiritual source as the Theosophical Teachings. In ancient India, Agni is the god of Fire.

 

            Roerich's spiritual philosophy was pan-human and this page is dedicated to the Series of paintings which Roerich painted in 1924 titled Banners of the East. These depict several sages, saints and adepts of various spiritual traditions around the world - however, not as other-worldly soul beyond the grasp of mere humans but rather involved in earthly activities and mostly derived from stories or accounts of certain episodes in their spiritual lives. Roerich painted several Series including: Maitreya, Sancta, His Country, Sikkim and Ocean to name some of these. Regarding Banners of the East, in the Buddhist tradition it is stated that the next Buddha, or world teacher, will be the Buddha Maitreya. Roerich studied the various legends concerning Maitreya, including the links with Shambhala, and during his two far-eastern expeditions, spoke with various lamas and others about these legends and the period of time that they then lived in, which was believed to be on the verge of a New Epoch, under the dispensation of the Lord Maitreya. Certain writers state that Rigden Djapo (the Ruler of Shambhala) is another name for the Lord Maitreya. There is a sequence of Rulers of Shambhala each one leading for a cyclic period of time and Roerich's research informed him that Rigden Djapo is the name for the current ruler. It must also be understood that the Lord Maitreya will not come in physical form but, rather will appear within the spiritual heart of those dedicated to the New Epoch, and Roerich associated this New Epoch with, amongst other things, the spiritual energy of Unity, Harmony and Beauty.

 

Command of Rigden Djapo

from the painting by Professor Nicholas Roerich

by courtesy of the Roerich Museum New York.

 

            In the painting at the top of this page we see Roerich himself wearing some ancient Tibetan robes holding, in a gesture of beneficent service, a casket covered with the cloth used in Christian ceremonies. Hence we see simply depicted, the union of Eastern and Western spiritual traditions whilst, inside the casket is said to be, amongst other items, a stone from far-off worlds. And so it is that extra-terrestrial life is also embraced within his spiritual vision. Roerich and those with him saw a UFO (although this term hadn't been invented then) during his expedition in the East during the 1930s, which is chronicled in his book Altai Himalaya.

 

            Roerich's art falls broadly into three main categories: firstly, his Stone Age period, secondly, his Theatre period (he was the inspiration for Stravinsky's infamous Rite of Spring), and thirdly, what is termed his Himalayan period.

 

            Hence we focus within the beginnings of his later Himalayan period. We shall take his cycle of paintings Banners of the East, which seem to suggest that all of these several spiritual teachers, etc, are as the several notes upon the One Flute of the Divine Being. As Jesus Christ said to his disciples: "He who is not against us is with us." Roerich, in the 1920s, goes on to include women via the Mother of the World. Such a vision of wholeness seems almost more poignant during our own time where religious intolerance, courtesy of religious fanatics of numerous persuasions,  has reached unhealthy proportions. The ancient sages of India knew the various natures of humankind and devised numerous pathways of spiritual unfoldment via the several paths of yoga: Raja Yoga, Bhakti Yoga, Nada Yoga, Mantra Yoga, Kriya Yoga, Jnana Yoga, Karma Yoga, Hatha Yoga - and so the list goes on with well over 40 different yogas. All were considered equal in the eyes of the Supreme One, for their sense of Unity was one of Multi-unity; not a mechanistic vision of conformity to a manufactured uniformity but, rather, a vision akin to that of a Christmas tree with a Star of Light at the apex and countless lights all the way down the several branches of the tree - yet all sharing that One Light. One may even envision these as several coloured lights upon this self-same Tree, again each one sharing that One Source of Light and yet manifesting it as a different colour from out of the spectrum - or, to use our previous simile, a different note upon the One Flute.

 

NEW

This series of paintings have now been put to Frank's Tibetan Singing bowl meditation music and is free to view on youtube (titled Sacred Flute). Click on youtube or visit their site and search for Frank Perry (or mountainbellmusic) where you will currently find five other audio-visuals featuring the paintings of Nicholas Roerich synthesised alongside Frank's acoustic meditation music on ancient ritual instruments from Tibet. 

Great if you want to touch base/source for a few minutes during a busy day.

 

Watch: Tangla

 

BANNERS OF THE EAST Series:

 

Buddha the Conqueror before the spring of life. 1925.

 

Moses the Leader upon the summit, surrounded by the glory of the heavens. 1925

 

Sergius the Builder, labouring with his own forces. 1925

 

Confucius the Just, the traveller in exile. 1925

 

En-no-Gyoja, friend of the Travellers (Japan). 1925

 

Milarepa, the One Who Hearkened - at sunrise comprehending the voices of the Devas. 1925

 

rDorje the Daring, who stood facing Mahakala himself. 1925

 

Saraha the Beneficient Arrow, never slackening in its mission of benevolence. 1925

 

Mohammed upon Mount Hira (the message of the Archangel Gabriel). 1925

 

Nagarjuna, Conqueror of the Serpent, beholding upon the lake the vision of the Ruler of the Nagi. 1925

 

Oirot the Messenger of the White Burkhan, the legend of Altai. 1925

 

Mother of the World. 1924

 

Signs of Christ. 1924

 

Lao Tze. 1924

 

Tsong-kha-pa. 1924

 

Padma Sambhava. 1924

 

Chalice of Christ. 1925

 

The Ancient Serpent. 1924

 

The Watch upon the Himalayas. 1925

 

These are presented in the order in which they are mentioned in Roerich's travel diary Altai Himalaya.

All of the above reproductions are courtesy of the Roerich Museum, New York.

To visit their site, dedicated entirely to Nicholas Roerich and with many more reproductions click HERE.

If you are interested to listen to the music I composed fro some of these paintings please click HERE

 

 

© Copyright by Frank Perry 2004. All rights reserved.

© Frank Perry, 2004. All of these articles are copyright. They may individually be copied and shared with others in a spirit of knowledge-sharing and fair play, but they may not be sold, printed or reproduced in quantity or changed in form without the permission of the copyright holder. None of this material may be reproduced in workshops or lectures of any kind unless quotes are credited or properly attributed.  

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